So if everyone could ignore this huge gap in the posts on my blog, that’d be great. The condensed version is that last semester at uni I had a lethal mix of laziness, too many gigs and the stress of trying to write a number of essays and papers. Well, it wasn’t so much the stress of writing them, more the stress of trying to find things to do (and countries to go to) instead of doing them. Procrastinating is hard work guys.
Ok, so the next lot of reviews are going to be horrifically out of date, however, I’ll write about how the gig was, and the artist in general. Though I’m sure you don’t mind reading these things well out of date. I’m not sure what the half-life is on these kind of blogs.
Now all that admin is done, on to Kate Tempest. So I’ve known about Tempest for a couple of years now, after I became a fan of Scroobius Pip. I first knew her as a spoken word poet, however she is a prolific playwright as well, and is about to release her third book.
Kate Tempest is really something when it comes to lyrics and performance. She has been influenced by ancient mythology, this is evident in one of her songs Icarus and in her first book, ‘Brand New Ancients’. Tempest has also written and performed a poem called Tiresias, about the myth of Tiresias (surprisingly). [WARNING: LINGUISTIC DIVERSION UP AHEAD] For any linguistic nerds out there, it is also interesting to note that Icarus was written in dactycal hexameters. The ‘dactyl’ part refers to the pattern ‘TUM-te-ty’ essentially, the syllables for the pattern ‘stressed-unstressed-unstressed’. The hexameter part refers the amount of syllables per line (in this case…six). This was a common in epic classical poetry written in Latin and Greek. I just think that it’s really cool that she has written a poem in dactycal hexameters, which aren’t used much at all in poetry and spoken word nowadays. Ok, people who hate linguistics can tune back in now.
Tempest has played at Bestival for a number of years, and every time I see her (whether it’s at Bestival or any other of her gigs) I get chills when she speaks. She has this passion and power in her voice that is hard to come by. She makes you want to get up and do something with your life, to experience life in the fullest way possible. Tempest blends flawlessly elements of spoken word, rap, poetry and theater to create beautiful pieces that create characters so solid you can almost touch them. This, combined with her strong East London accent makes for stunning pieces that are so different from anything anyone else is doing. All this is helped of course by the fact her work is littered with amazing lines riddled deep in meaning, such as:
‘And the days are all dust
and the only thing worse
than losing the trust
of a lover is finding the rust
in their kiss.’
Which can be found in Hold Your Own, Tempest’s first book released back in 2014 – and can be found relatively cheaply from wordery.com. She is about to release another book called The Bricks That Built The Houses which you should definitely buy, like everything she does it’s going to amazing.
Kate Tempest is actually about to go on tour for her upcoming book, starting in London in April, and stopping off around the UK until she flies stateside to tour in America, so for any Americans reading, this would be a chance to see one of the UKs most prolific and talented writers, an opportunity that should not be passed up. The dates and tickets for the tour can be found here.
It’s hard to use words as eloquently and as effortlessly as Tempest does to do her any justice, my recommendation is to pick up one of her books, see her live, and blab on about how amazing this woman is to anyone who will listen. Much like I’m doing.
Anywho, her are some photos of Kate Tempest at Bestival in September last year.